As a founder member of Mystery Women in 1997, promoting Crime Fiction has always been my passion.
Following the closure of Mystery Women, a new group was formed on 30th January 2012 promoting crime fiction.
New reviews are posted daily, but to search for earlier reviews please click on the Mystery People link below and select 'reviews' from the welcome page. This will display an alphabetic option for you to find the review you would like to read
For PREVIOUS REVIEWS- Click on MYSTERY PEOPLE below -
Avon, 24 August 2017. ISBN: 978-0-00-822351-9 (PB)
It's hard for a debut author to get a foot on the ladder. That means
it's important to do two things: one, get the basics right, and two, make
yourself stand out from the crowd. In crime fiction especially, that crowd is
very large. So I have to confess that my heart sank a little when I saw that
this particular debut novel was about child abduction. It's a well-worn theme, designed
to tug at the heartstrings of any reader, and especially of mothers. But it
does get used a lot.
How was a rookie writer going
to turn a familiar story into something different, I wondered. Well, take it
from me, Elisabeth Carpenter does. She does get the basics right, and the
storyline itself is exactly what you'd expect: small girl fails to return home
from school on time, parents go ape and call the police, who investigate, and
eventually... well, there's always a positive outcome, isn't there? But it
doesn't end there.
She chooses three techniques
which challenge the most experienced of authors: first person, present tense
and multiple viewpoint. The chapters switch between half a dozen characters:
victim, perpetrator, frantic family members. Each point of view is presented in
the first person, though the abductee's aunt, trying desperately to support her
sister and still hold it together herself, takes the lion's share. Some
chapters are only a page or two, others much longer; together with the constant
changes of viewpoint, this helps to ratchet up the suspense level, as does the
in-your-face immediacy of the present tense.
Carpenter also has a deft
hand with characters. I felt for them; I almost wept for some of them; and I
felt I knew them. I especially liked Jim, peripheral to the main storyline but
full of bounce and vim although he's well past youth's second blush and not in
the best of health; and Grace, the abducted child, proves as feisty and
resilient as any mother would hope her child would be in similar appalling
So what's different about
this take on the old theme? That lies in the stories behind the story. It's
said that the police always take a hard look at the family when a child goes
missing; Carpenter has picked up this idea and given it a whole new twist.
For me, though, the best
thing about this novel is one of the most stunning pieces of misdirection I've
ever come across in a crime novel – and I read a lot of crime novels. I'm
saying nothing that might give the game away, but rest assured all is most
definitely not as it seems.
Elisabeth Carpenter is a
debut author with a future. I look forward to seeing her pursue it.
Reviewer: Lynne Patrick
Carpenter lives in Preston with her family. She completed a BA
in English Literature and Language with the Open University in 2008. Elisabeth
was awarded a Northern Writers’ New Fiction award, and was longlisted for
Yeovil Literary Prize (2015 and 2016) and the MsLexia Women’s Novel award
(2015). She loves living in the north of England and sets most of her stories
in the area, including the novel she is writing at the moment. She currently
works as a book keeper.
Lynne Patrick has been a writer ever since she could pick up a pen,
and has enjoyed success with short stories, reviews and feature journalism, but
never, alas, with a novel. She crossed to the dark side to become a publisher
for a few years, and is proud to have launched several careers which are now
burgeoning. She lives on the edge of rural Derbyshire in a house groaning with
books, about half of them crime fiction.